for SATB and harp or piano This delightful work brings together arrangements of four folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A Fancy of Folksongs can be accompanied by piano or harp (harp part sold separately), and is sure to be an instant hit with all lovers of McDowall's music.
for SATB and harp or piano This delightful work brings together arrangements of four folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Sp...
for SA, piano, and percussion This is an uplifting and expressive setting of a fun, descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part, often featuring rippling quavers, and charcterful interjections from the glockenspiel and suspended cymbal complement the narrative. A contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in', while the final section is affirmatory in feel, emphatically repeating the final line of the poem, 'and I will grow'.
for SA, piano, and percussion This is an uplifting and expressive setting of a fun, descriptive text by Christie Dickason that characterizes the sky i...
for SSATB unaccompanied This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gently arching vocal lines, the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow.
for SSATB unaccompanied This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gent...
for SATB and organ This tender carol sets an affecting text by Christina Rossetti that tells the story of Jesus's birth. In classic McDowall style, the setting explores a variety of choral textures and is interspersed with unexpected harmonies, creating a range of musical colours. The organ part provides a gentle, supportive accompaniment.
for SATB and organ This tender carol sets an affecting text by Christina Rossetti that tells the story of Jesus's birth. In classic McDowall style, th...
for SATB unaccompanied Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. The spirited, lilting melody begins in the sopranos and altos but is passed round the choir, while the other voices add stirring harmonies and bell-like drones to the texture. Now may we singen was originally published in the New Horizons collection The Ivy and the Holly.
for SATB unaccompanied Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a mediev...
for SSA and piano Would Like To Meet is taken from a suite of three pieces by Cecilia McDowall called Lonely Hearts, composed in 2005. The whimsical text by Christie Dickinson is a lonely hearts column written from the perspective of various animals and plants, and this imaginative theme is perfectly complemented by McDowall's spirited and fun setting. The mood is light and energetic, the piano part characterful, and the accessible and appealing vocal lines feature interspersions of scat writing. Lonely Hearts features on a 2007 CD dedicated to the composer's music recorded on the Dutton...
for SSA and piano Would Like To Meet is taken from a suite of three pieces by Cecilia McDowall called Lonely Hearts, composed in 2005. The whimsical t...
For SSAA unaccompanied Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited exchange between the voices. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to pianissimo. This is an approachable and rewarding motet, appropriate for any time of the year and in particular, the Feast of the Blessed Virgin Mary and Eastertide. The original SATB version of Regina Caeli has also been recorded...
For SSAA unaccompanied Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood ...
for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep human longing as well as the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece.
for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep ...
for baritone solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) McDowall's setting of the Stabat Mater has been described as 'an outstanding work of great solemnity and poignancy' (Tempo, 2013). The work comprises seven movements in a symmetrical structure-from the impassioned choral opening, through two intense yet diverse baritone solos and contemplative plainchant chorales, to the stately finale uniting all the voices. The optimistic central movement, in a major tonality, may be performed by children's choir or a semi-chorus of sopranos and altos...
for baritone solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) McDowall's setting of the Stabat Mater has be...