This edited collection examines alternative or entangled modernities as competitive narratives that blend ethics, aesthetics, and critical thinking to depict the human condition. It includes chapters covering the rivalry between scientific and aesthetic revolutions; contemporary trends in postmodernity; and study-cases on visual arts and cinema. The collection applies a philosophical view of visual arts and cinema, and competitive narratives of (post)modernity that arise from ethics and aesthetics as complementary fields. Key audiences for the book are students, PhD candidates, and...
This edited collection examines alternative or entangled modernities as competitive narratives that blend ethics, aesthetics, and critical thinking to...