Theatremakers in the United States have long been drawn to madness as a source of dramatic spectacle. This book offers a dynamic account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States.

Theatremakers in the United States have long been drawn to madness as a source of dramatic spectacle. This book offers a dynamic account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States.