This book argues that, as a popular text, the Turkish television series Valley of the Wolves: Ambush functions as a site for consent production for foreign policies formed by the AKP within the last decade, through a process of reproduction of state identities, ideologies, and discourses at the level of narrative. This book positions its argument in two fields: Turkish Foreign Policy (TFP) studies and Popular Culture and World Politics within the larger International Relations context. It is interdisciplinary in nature as it also makes use of theories around popular culture. It advances works...