At first reading, the Song of Songs appears to be an unabashed celebration of physical attraction, mutual love, and sexual consummation between a man and a woman. Tom Gledhill maintains that the Song of Songs is in fact just that--a literary, poetic exploration of human love that strongly affirms loyalty, beauty, and sexuality. Yet in God's story, these things are not ends in themselves. They are also transcendental longings, whispers of immortality. Like all of creation they point beyond themselves to their divine author, who in this Song is nowhere mentioned but everywhere assumed. ...