By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones - and, in doing so, shows them coming to terms with the past, and in the process, inventing different modes of being modern.
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architectur...
