Offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Tanya Horeck examines a range of audiovisual true crime texts, and considers the extent to which the genre has come to epitomize participatory media culture.
Offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime...
