Tiffany Lethabo King uses the shoal-an offshore geologic formation that is neither land nor sea-as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies and its potential to create new epistemologies, forms of practice, and lines of critical inquiry.

Tiffany Lethabo King uses the shoal-an offshore geologic formation that is neither land nor sea-as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies and its potential to create new epistemologies, forms of practice, and lines of critical inquiry.