First published in 1976, this beautiful, interactive collaboration is a unique work of book art in which Marisol's monumental pop-art sculptures face the blocks of Creeley's prose poems. The new introduction by Creeley scholar Stephen Fredman describes how the poet's autobiographical prose poetry arose in conversation with images of Marisol's equally autobiographical sculptures.
First published in 1976, this beautiful, interactive collaboration is a unique work of book art in which Marisol's monumental pop-art sculptures face ...
