Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self," an African-American subjectivity that demands recognition of black humanity and alterity.
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "com...
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self," an African-American subjectivity that demands recognition of black humanity and alterity.
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "com...
