In Staging Creolization, Emily Sahakian examines seven plays by Ina CEsaire, Maryse CondE, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these latae-twentieth-century plays by French Caribbean women writers dramatize and enact creolization--the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.

Sahakian here theorizes creolization as a performance-based...

In Staging Creolization, Emily Sahakian examines seven plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these latae-twentieth-century plays by French Caribbean women writers dramatize and enact creolization--the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.

Sahakian here theorizes creolization as a performance-based...