The Canada into which Contemporary Ghazals No. 1 was published in the summer of 2003 was not exactly a hospitable one. The Canadian literary scene of the day was simply out of sync with editor R. W. Watkins's higher technical standards and international poetic perspective. Too formal and intellectual for the artsy 'hipster' division of Generation X (represented by such publications as Broken Pencil and This Magazine); too exotic and 'indie' for the academics and writers' organisations (e.g., The League of Canadian Poets), who-in the words of Watkins--merely take solace in each other's...
The Canada into which Contemporary Ghazals No. 1 was published in the summer of 2003 was not exactly a hospitable one. The Canadian literary scene of ...
