«Given that most scholarship on cinema and utopia focuses on the subgenre of dystopia and its pessimistic discourses, Mónica Martín’s volume could not be more timely. It is a pioneering work; arguably the first book in English devoted to systematically analysing the utopian impulse as a textual feature in contemporary Anglophone cinema. Discussing a wide range of films, from mainstream blockbusters to independent, low-budget productions, this is a fascinating comparative study on the potential for cinema to engage with the phenomenon of social dreaming and the search for a better...