Grahame's reminiscences are notable for their conception "of a world where children are locked in perpetual warfare with the adult 'Olympians' who have wholly forgotten how it feels to be young"--a theme later explored by J. M. Barrie and other authors.
Grahame's reminiscences are notable for their conception "of a world where children are locked in perpetual warfare with the adult 'Olympians' who hav...
In the matter of general culture and attainments, we youngsters stood on pretty level ground. True, it was always happening that one of us would be singled out at any moment, freakishly, and without regard to his own preferences, to wrestle with the inflections of some idiotic language long rightly dead; while another, from some fancied artistic tendency which always failed to justify itself, might be told off without warning to hammer out scales and exercises, and to bedew the senseless keys with tears of weariness or of revolt
In the matter of general culture and attainments, we youngsters stood on pretty level ground. True, it was always happening that one of us would be si...
"A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintaining the comedy of Mr. Toad. The genius of this adaptation is full of orchestral colors; a fine introduction to classical music and the orchestra for any young person or novice." --- The Nutley Globe Kenneth Grahame's classic children's novel is brought to musical life by American Costa Rican composer James Nathaniel Holland in his adaptation of "The Wind in the Willows" for theatrical dance production, orchestra, soloists and chorus. This fine...
"A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintai...
