"Rivals The Girl on the Train as a compulsive read (and beats it for style). -- Observer (UK)

In the vein of Fiona Barton's The Widow and Renee Knight's Disclaimer, a psychological thriller about a war reporter who returns to her childhood home after her mother's death but becomes convinced that all is not well in the house next door--but is what she's seeing real or a symptom of the trauma she suffered in Syria?

The One Person You Should Trust Is Lying to You...

Kate has spent fifteen years bringing global...