Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London." He makes his first appearance in the story "The Blue Cross," and continues to appear throughout five volumes of short stories, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau.

Gilbert Keith Chesterton (1874-1936) cannot be summed up in one sentence. Nor in one paragraph. In fact, in spite of the fine biographies that have been written of him, he has never been captured between the covers of one book. But rather than waiting to separate the goats from the sheep, let's just come right out and say it: G.K. Chesterton was the best writer of the 20th century.

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.)

The Napoleon of Notting Hill is a novel written by G. K. Chesterton in 1904, set in a nearly-unchanged London in 1984. Though the novel deals with the future, it concentrates not on technology nor on totalitarian government but on a government where no one cares what happens, comparable to Fahrenheit 451 in that respect. The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he institutes elaborate costumes for the provosts of the districts of London. All are bored by the King's antics...

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries...

From London to Cornwall, then to Italy and France, a short, shabby priest runs to earth bandits, traitors, killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Though he was on the whole a fun loving and gregarious man, during adolescence Chesterton was troubled by thoughts of suicide. In Christianity he found answers to many of the dilemmas and paradoxes of life. Throughout Heretics he provides a very personal critique of contemporary religious notions. His consistently engaging but often wayward humour is mixed liberally with daring flights of fancy and some startling turns of thought. A highly original collection of essays, providing an invaluable contribution to one of the major debates of the last century - one that continues to exercise...

From the introduction: "I publish these essays at the present time for a particular reason connected with the present situation; a reason which I should like briefly to emphasise and make clear. Though most of the conclusions, especially towards the end, are conceived with reference to recent events, the actual bulk of preliminary notes about the science of Eugenics were written before the war. ...]"

Like most of Chesterton's fiction, the story includes some Christian allegory. Chesterton, a Protestant at this time (he joined the Roman Catholic Church about 15 years later), suffered from a brief bout of depression during his college days, and claimed afterwards he wrote this book as an unusual affirmation that goodness and right were at the heart of every aspect of the world. However, he insisted: "The book ... was not intended to describe the real world as it was, or as I thought it was, even when my thoughts were considerably less settled than they are now. It was intended to describe...

Father Brown is a fictional Roman Catholic priest and amateur sleuth created in the early 20th century by English novelist G. K. Chesterton. Father Brown is featured in a series of short stories where he solves mysteries and crimes using his intuition and keen understanding of human nature. The character was loosely based by Chesterton on Father John O'Connor (1870-1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922.