Spada's visual work is set within the geometric abstractionism of the early twentieth century that emerged in response to the excessive subjectivism of plastic artists of previous periods and looked to distance itself from the majority of movements that sought to represent a purely emotional three-dimensional reality. Taking his cue from the critical discourse of pioneering abstract artists like Picasso, Malevich or Mondrian, alongside the purism of Le Corbusier or Ozenfant, Spada goes a step further into what might be termed "neopurism." Angel Gonzalez Garcia"