With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation.
Exploring the fiction of these four major writers as well as their journalism, manifesto...
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century s...
This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.
This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. I...
