This original study discovers the bourgeois in the modernist and the dissenting style of Bohemia in the new artistic movements of the 1910s. Brooker sees the bohemian as the example of the modern artist, at odds with but defined by the codes of bourgeois society. It renews once more the complexities and radicalism of the modernist challenge.

Why did some Communist and Middle-Eastern dictatorships, those in China, Vietnam, North Korea, Cuba, Syria, Iraq, Libya and Iran, remained defiantly stable during the onset of a democratic age in the 1980s and early 1990s? The book offers an explanation based upon external relations - the regimes' defiance of external military or political foes - and then searches for alternative or supplementary explanations by examining the changes that occurred in these dictatorships' political structures, ideologies and economic policies during 1980-94.