In 1984 Fredric Jameson wrote that "everything in our social life--from economic value and state power to practices and to the very structure of the psyche itself--can be said to have become 'cultural' in some original and yet untheorized sense." The essays in this special issue track the status of this claim some thirty years later, inquiring into the relationship of art, aesthetics, and cultural production to political economy today. At a moment when interpretation (including "ideology critique" and "symptomatic reading") has been variously supplanted by descriptivism, empiricism, and...
In 1984 Fredric Jameson wrote that "everything in our social life--from economic value and state power to practices and to the very structure of th...
Damon R. Young tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transformed narratives of sexuality and how women and queers were both agents and objects of that transformation.
Damon R. Young tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transfor...
