Tekgyozyan's novel has been described as a "virtual movie-novella, where mysticism and urban typologies, grotesque and humourous transitions are all interlaced." He touches on themes previously taboo in Armenian but which characterize much of the new Armenia, including virtual reality, sexuality, suicide, and drugs. His style resonates with an almost cartoon-animated quality. Equal parts humorous, absurd, serious, and surreal, Tekgyozyan is able to draw an animated film on paper, where objects come to life and human beings take on unsuspecting forms. In this novel, one of the characters has...