Sabotage Art: Politics and Iconoclasm in Contemporary Latin America provides a welcome shift of emphasis in amidst perennial redefinitions of political art in Latin America. Framing sabotage as a positional choice with regard to the institution allows Halart, Polgovsky Ezcurra and their collaborators to critically interrogate the longstanding association of Latin American art with struggle or adversity for both historical case studies and the market delirium over contemporary art. This book makes for an excellent teaching resource on overlooked artists such as Paulo Bruscky, Enrique Guzma n,...
Sabotage Art: Politics and Iconoclasm in Contemporary Latin America provides a welcome shift of emphasis in amidst perennial redefinitions of politica...