"This masterful study of Belgian and Congolese collecting and exhibitions of African arts, and the murky heritage politics so implied, offers insights for understanding colonial and postcolonial histories of representation anywhere in the world."
--Allen F. Roberts, author of A Dance of Assassins: Performing Early Colonial Hegemony in the Congo
Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musees Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, ...