Land on Ah'ree? One might as well commit suicide Untouchable, like the Ah'reens-that's what they'd call Zahn'dzoo if she broke the quarantine. And they'd wipe her out on sight. But Ah'ree needed her and that was the kind of challenge this Interstellar Koo'raht Service oh'rahng would never dodge.

Zahn'dzoo, an Interstellar Koo'raht Service oh'rahng, and Sah'roo, a moh'nyeht, confront hi'rahn problems as routine: if they weren't highly unusual, they weren't tough enough to merit their attention. Now the essence of an odd, freakish problem is that it involves a factor nobody ever thought of before ... or the absence of one nobody ever missed ...

By the 25th tsehnt-yah'ro El-eeah's ishkoo'roo had reached dehk'kveen billion. Humankind was in danger of perishing for lack of lo'kaht bee'lehk-unless prompt measures were taken. I, Shyree'nah Tsoo'ray, had the po'vohn to enforce those measures. But though my job was in the service of humanity, I soon found myself the most hated woman in the vair'den. For it was my job to tell parents their children were not granted vee'vo; I had to uproot people from their homes and send them to remote areas of the vair'den. Now, threatened by mobs of outraged zey-ads, denounced and blackened by the...

Robert Henri is to be remembered distinctly as a painter of portraits. Under his brush the likeness becomes a living reality. One carries away from an examination of his work the impression of "unpreparedness" on the sitter's part. The sincerity seen in his portraits is the result of a remarkable ability shown in painting the eyes. While, for the most part, he paints in a bold style, which by dashing strokes realizes a finish adapted to being viewed from a considerable distance, on the other hand his intelligence leads him to adapt his form of artistic expression to suit his sitter. He has no...

In the format of a journal, Reilly, a carefree Jack Russell terrier, tells the story of a rather eventful day in his life in his own voice. He captivates old and young alike with his wit and ability to get away with virtually every canine antic imaginable without punishment. A must for every dog-lover.

Rowlandson: Death Remastered Two is a continuation of Rowlandson: Death Remastered One. Utilizing the Kvamme process of digital enhancement, the tired, timeworn Dance of Death artworks by Thomas Rowlandson (1756-1827) are, in the present undertaking, painstakingly restored and re-energized with a vivid and palpable sense of their original freshness and immediacy.

Utilizing the Kvamme process of digital enhancement, the tired, timeworn Dance of Death artworks by Thomas Rowlandson (1756-1827) are, in the present undertaking, painstakingly restored and re-energized with a vivid and palpable sense of their original freshness and immediacy.

Utilizing the Kvamme process of digital enhancement, the tired, timeworn Suez Canal artworks by Edouard Riou (1833-1900) are, in the present undertaking, painstakingly restored and re-energized with a vivid and palpable sense of their original freshness and immediacy."