Considering the experience of the first twenty years of Turkeys membership of Eurimages (as from 1990), this book examines the contributions of a supranational cinema support fund - which demands a series of culturally sensitive criteria to be met - on a national cinema industry. In addition to the co-production, exhibition and distribution support provided by Eurimages, and its contribution to filmmaking practices, Turkish-initiative co-productions - those directed by Turkish filmmakers, and those whose themes are pertinent to Turkey - are analysed herein with regard to the nationalness of...