There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators' interactions with specific film texts in specific contexts of engagement. Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of...
There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itsel...
There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators' interactions with specific film texts in specific contexts of engagement.
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a...
There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text it...
Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male religious figures can exorcise, thereby saving the women from eventual damnation. This book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. This traditional exorcism narrative often functions as the central plot of the exorcism film, with only the rare film deviating...
Since the release of The Exorcist in 1973, there has been a surge of movies depicting young women becoming possessed by a demonic force that only male...
Carrielynn D. Reinhard Christopher J. Olson Fatima Q. A
Current characters in children's entertainment media illustrate a growing trend of representations that challenge or subvert traditional notions of gender and sexuality. From films to picture books to animated television series, children's entertainment media around the world has consistently depicted stereotypically traditional gender roles and heterosexual relationships as the normal way that people act and engage with one another. Heroes, Heroines, and Everything in Between: Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media examines how this media ecology now...
Current characters in children's entertainment media illustrate a growing trend of representations that challenge or subvert traditional notions of ge...
This volume features the most provocative, intriguing, entertaining, and controversial films produced over the last century, providing readers fodder for debate and a jumping-off point for future watching. This resource includes valuable information on the films, creators, and institutions that have shaped cult cinema.
This volume features the most provocative, intriguing, entertaining, and controversial films produced over the last century, providing readers fodder ...
