For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume gives the reader a comprehensive view of the aesthetics of music in sixteenth-century Germany, England and the Low Countries. Included here are the first significant contemporary German performance descriptions by Michael Praetorius, Cochlaeus,...

For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume gives the reader a comprehensive view of the aesthetics of music in sixteenth-century Italy, France and Spain. Included here are some of the greatest writers and artists of the High Renaissance, including Castiglione, Cardano, Michelangelo and...

For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. Very few music history texts make it clear that the central obsession of Baroque composers and philosophers was the full restoration of the emotions to music. This volume presents these studies in Italy, led by the famous Camerata, Spain and Germany. From Germany we...

For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume reveals a performance practice by the leading French composers which extends far beyond what appears on the page, in particular their joining their European colleagues in the emphasis on expressing emotions in music. This period included an...

For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume presents for the first time a comprehensive view of the aesthetic principles of English culture during the Baroque. Following the usual division into Jacobean and Restoration Periods, the reader will find here a detailed study of Music as...

David Whitwell is one of the most influential college band directors of the twentieth century and the author of more than forty books on music, education, history and aesthetics. In this new collection of essays, Essays on the Modern Wind Band, he provides a broad perspective of the American Wind Band from his lifetime of experience as performer, teacher, conductor and musiclogist. Through a series of enlightening and thought-provoking essays, David Whitwell provides his unique opinion on such topics as wind band history, repertoire, ethics, and education, as well as behind-the-scenes stories...

David Whitwell is one of the most influential college band directors of the twentieth century and the author of more than forty books on music, conducting, education, history and aesthetics. In this new collection of essays, "Essays on Performance Practice," he provides information on many of the topics missing from modern music education. Band conductors will find illuminating chapters on topics such as aesthetics, seating plans, time and placement, movement, and Classical Period performance idioms. This book also includes fifteen essays on Making Band Masterpieces Musical which address...

This volume is a compilation of original philosophic views on the relationship of music and religion as early history progressed towards more modern times, beginning with the strong association of music with religion. The early Christian Church rejected most of these early views but found it difficult to fashion a new dogma which accounted for the powers of music. By the later Middle Ages public demand and the rediscovery of the books of the ancient philosophers caused the Church to reform its views. The public wisdom and the true nature of music found a perfect marriage in the writings of...

This volume contains a fascinating collection of observations by ancient writers as they were attempting to understand Music in its relationship with the world around them. The book begins with a discussion of Pythagoras (570-495 BC) who perceived a kinship between Music and astronomy, mathematics and physical therapy. One also reads from remote times the question of whether musicians are born or made, whether music is genetic and if geography influences musical perspective.

This book follows the fascinating attempt of man to explain the nature of Music, that powerful and mysterious art from which cannot be seen. From original accounts from the earliest period of writing when Music was associated with the gods to the early Christian Church, which tried to explain that Music is the part of mathematics you can hear, the speculation continued. Eventually man began to realize that he is more than Reason, that he has a experiential side as well and this led to writing of understanding vs feeling, the bicameral mind finally explained by modern clinical brain research....