"What is so arresting here is the casual everydayness that welcomes strangeness as the most matter of fact part of reality. Typical of the book's achievement, the poem feels as much in the wife's voice as the husband's. There is nothing forced or artificial going on. The poem is universal without being in any way universalising; the voice speaking trusts the power of what one sees and feels to carry the poem. Yotsumoto's achievement appears in the ease with which the everyday, the earthy, the dream-like, and the bizarrely imagined all glide into each other, are there with a careful equality....