French filmmaker Christophe HonorE challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe HonorE A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinEastes to explore HonorE's three most recognized films, Dans Paris (2006), Les Chansons d'amour (2007), and La Belle personne (2008)--"the trilogy." Gerstner and Nahmias...
French filmmaker Christophe HonorE challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic film...