Die demokratisch organisierte Politik macht es notig, Kompromisse einzugehen. Kunst dagegen verachtet den Kompromi, das Mittlere wie das Mittelma und dringt geradezu feindselig und diktatorisch auf Alleinherrschaft. Die Beitrage des Bandes beziehen hierzu - gerade vor dem Hintergrund des 11. September 2001 - auf differenzierte Weise Position. Unveranderter Print-on-Demand-Nachdruck der Auflage von 2003.
Die demokratisch organisierte Politik macht es notig, Kompromisse einzugehen. Kunst dagegen verachtet den Kompromi, das Mittlere wie das Mittelma und ...
This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Fruchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant,...
This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the worl...
