In this particular new LEA book the issue of art as interference and the strategies that it should adopt have been reframed within the structures of contemporary technology as well as within the frameworks of interactions between art, science and media. What sort of interference should be chosen, if one at all, remains a personal choice for each artist, curator, critic and historian. Edited by Lanfranco Aceti and Paul Thomas. Editorial Manager: Caglar Cetin. Writings by: Lanfranco Aceti, Paul Thomas, Mark Guglielmetti, Mark Cypher, David Eastwood, Darren Tofts and Lisa Gye, Leon Marvell,...
In this particular new LEA book the issue of art as interference and the strategies that it should adopt have been reframed within the structures of c...
Mary Sherman: What if You Could Hear a Painting is a catalog that surveys Mary Sherman's work which straddles painting, sculpture, installation and performance. Painting, however, remains the driving force of Sherman's aesthetic approach, which conveys the form's past mysteries, present incarnations and future possibilities. Conventional definitions of artistic disciplines are overturned in a journey that explores the relationships between paintings and sound with the aid of mechanics and digital tools.
Mary Sherman: What if You Could Hear a Painting is a catalog that surveys Mary Sherman's work which straddles painting, sculpture, installation and pe...
