Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including:
voice training from the Alexander Technique to practice-as-research;
operatic and extended voices in early baroque and contemporary underwater singing;
...
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "...
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including:
voice training from the Alexander Technique to practice-as-research;
operatic and extended voices in early baroque and contemporary underwater singing;
...
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "...
Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of `Britishness', reflecting the anxieties of a nation in decline.
Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Gre...
