From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ." . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . "
Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting...
From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera:...
