This research concerns my art practice in the context of my experience as director of Tsinghua University's Glass programme in Beijing, China. The research has benefited creative glass practice amongst Chinese students and professionals through the development of artworks, creative glass making approaches, innovative teaching approaches and programmes. I specialize in sand and kiln-cast glass and my art practice explores China's historical cultural heritage. The content of my work refers to metaphors and symbols of power. The contribution to knowledge presented in this book is a body of...