This book examines how seventeenth-century English architectural theorists and designers rethought the domestic built environment in terms of mobility as motion became a dominant mode of articulating the world across discourses encompassing philosophy, political theory, poetry, and geography. It offers a holistic synthesis of the spaces of English domestic architecture in an interdisciplinary context that reveals the visual and cultural assumptions underpinning both the seventeenth-century turn to motion, noted by Wolfflin, Deleuze and others, and recent art historical study of early modern...