This book recuperates the important history that Haitian thought around Vodou possession has had in French critical theory. The author takes the period of the 1930s and '40s, as the centerfold of a more complex network of relations that places Haiti as one of the pivots of a more expanded intellectual conversation around "possession," which links anthropology, literature, psychoanalysis, human rights, and visual arts in France, Haiti, and the United States. Benedicty argues that Haiti as the anthropological other serves as a kick-starter to an entire French-based theoretical apparatus...