Police series are prime time viewing. They are important in shaping public perceptions and preferences about the role and the nature of policing in society. But how are these stories created? How important is authenticity to the makers? And what is the appeal for audiences in watching these dramas?

Written by a former police drama scriptwriter, this book is the first criminological study of its kind to explore the impact of production processes in shaping fictional representations of police and crime in television drama. Drawing on media and criminological theory, it analyses how...