This title signifies an attempt by John James O'Loughlin to return to basics in philosophy and understand the connections and indeed interrelations of antitheses, polarities, opposites, and other such neat philosophical categories in relation to the relativity of everyday life. It is not an express attempt to expound 'the Truth' but, rather, a modest undertaking on his part to comprehend the paradoxes of the world in which we happen to live, and seek to unveil some of the illusions and superstitions which make the pursuit of philosophical truth such a difficult not to say protracted task....
This title signifies an attempt by John James O'Loughlin to return to basics in philosophy and understand the connections and indeed interrelations of...
Dating from 1981, this collection of essays is thematically more homogeneous than anything previously written by John O'Loughlin in the genre and reflects a newly-acquired optimistic outlook on evolutionary progress as something that should culminate in a future paradise having nothing whatsoever to do with the cosmic inception of life. Art, literature, music, sex, gender, history, technology and religion are the principal themes under consideration in this volume, and they're generally treated in relation to the author's philosophy of evolution, which owes not a little, in its origins, to...
Dating from 1981, this collection of essays is thematically more homogeneous than anything previously written by John O'Loughlin in the genre and refl...
John O'Loughlin John James O'Loughlin John James O'Loughlin
Dating from 1984, this collection of forty-four poems continues in the free-verse style of 'Spiritual Intimations' (1983), albeit the verse is at all times prevented from degenerating into prose through the application of a methodological consistency which continues to favour the definite/indefinite article at the expense of lesser words. More significant of this collection is its greater concern with a general approach to metaphysics, including subatomic theories, which, though far from definitive, enabled John O'Loughlin to dig beneath the surface of his themes to what he hoped would be...
Dating from 1984, this collection of forty-four poems continues in the free-verse style of 'Spiritual Intimations' (1983), albeit the verse is at all ...