An engaging fairy tale about musical adventures of John and Mary. Children get acquainted with the basic music theory concepts in an easy and entertaining way. Funny characters - the Note-Gnomes, Drum Master, beat counter Tic-Tock and others keep a child's interest through the whole story. Elegant, delicate style of illustrations instils in children an artistic taste, warmth and sincerity of expression. Entertaining / Engaging / Educative. For children of 6 to 11 years of age.

An engaging fairy tale about musical adventures of John and Mary. Children get acquainted with the basic music theory concepts in an easy and entertaining way. Funny characters - the Note-Gnomes, Drum Master, beat counter Tic-Tock and others keep a child's interest through the whole story. Elegant, delicate style of illustrations instils in children an artistic taste, warmth and sincerity of expression. Entertaining / Engaging / Educative. For children of 6 to 11 years of age.

An engaging fairy tale about musical adventures of John and Mary. Children get acquainted with the basic music theory concepts in an easy and entertaining way. Funny characters - the Note-Gnomes, Drum Master, beat counter Tic-Tock and others keep a child's interest through the whole story. Elegant, delicate style of illustrations instils in children an artistic taste, warmth and sincerity of expression. Entertaining / Engaging / Educative. For children of 6 to 11 years of age.

Second volume of an engaging fairy tale about musical adventures of John and Mary. Children get acquainted with the basic music theory concepts in an easy and entertaining way. Funny characters - the Note-Gnomes, Drum Master, beat counter Tic-Tock and others keep a child's interest through the whole story. Elegant, delicate style of illustrations instils in children an artistic taste, warmth and sincerity of expression. Engaging / Entertaining / Educative. For children of 6 to 11 years of age.

Mozart, Sonata in A major, K 331 (with Turkish March)

This edition of Bach's Italian Concerto, from the second part of his -Clavier Ubung-, includes two versions - the URTEX, based on the first publication in 1735 in Nuremberg, and edited version, in which the editor added fingerings, recommended articulations and few dynamic marks given in small print. While students usually need editor recommendations they will also benefit from referring to the original Bach's manuscript reproduced by the URTEXT.