On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918 1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged "on the very edge" between territorial and cultural, new and old, modern and traditional identities.

With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which,...