During the 1970s, adding women s to art was a powerfully political act. Artists, art historians, critics and curators began to explore the women s art practice, and to challenge its invisibility. In the 1980s, they creatively critiqued representations of female sexuality, and in the 1990s, began to embrace the post-feminist idea of difference and the performance of gender. Throughout, the MAKE magazine offered a unique platform to critically engage with women s art. Beginning in 1983 as the Women Artists Slide Library Newsletter and culminating in a 100 page final issue in 2002, this...
During the 1970s, adding women s to art was a powerfully political act. Artists, art historians, critics and curators began to explore the women s art...
