The book explores the conscious usage of Jewish mystical themes and motifs in popular (as well as arthouse) cinema from the silent film era to the present. This historical, as well as geographic, arc spanning from Paul Wegener's Golem (1920) to films such as David Goyer's The Unborn (2009), Ang Lee's Life of Pi (2012) or David Aronofsky's Noah (2014), is held together by a tightly argued and detailed discussion of both the kabbalist elements themselves and their presence in film and television.Organized in four interrelated parts, the study focuses on mystical secrets of the Hebrew alphabet...