This book aims to present trompe-l il painting, which epitomizes the myth of the illusionistic image an early modern way of thinking about pictures, according to which it is possible to create an image identical to what it represents that at the same time preserves its own pictorial identity. Trompe-l il, despite being a marginal genre, embodied an ideal that painting should attain, and therefore is a good point of departure for analyzing issues such as (aesthetic) illusion in art. As the myth undermines Plato s aesthetics, it is his philosophy of art, with its dichotomies of...