The Business of Culture examines the rise of Chinese ?cultural entrepreneurs, ? businesspeople who risked financial well-being and reputation by investing in multiple cultural enterprises in the late nineteenth and twentieth centuries. Rich in biographical detail, the interlinked case studies featured in this volume introduce three distinct archetypes: the cultural personality, the tycoon, and the collective enterprise. These portraits reveal how rapidly evolving technologies and growing transregional ties created fertile conditions for business success in the cultural sphere. They...
The Business of Culture examines the rise of Chinese ?cultural entrepreneurs, ? businesspeople who risked financial well-being and reputatio...
The Business of Culture examines the rise of Chinese ?cultural entrepreneurs, ? businesspeople who risked financial well-being and reputation by investing in multiple cultural enterprises in the late nineteenth and twentieth centuries. Rich in biographical detail, the interlinked case studies featured in this volume introduce three distinct archetypes: the cultural personality, the tycoon, and the collective enterprise. These portraits reveal how rapidly evolving technologies and growing transregional ties created fertile conditions for business success in the cultural sphere. They...
The Business of Culture examines the rise of Chinese ?cultural entrepreneurs, ? businesspeople who risked financial well-being and reputatio...
Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. Nicolai Volland demonstrates that Chinese socialist literature was not driven solely by politics but by an ambitious-but ultimately doomed-attempt to redraw the literary world map.
Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world lite...