Intrigued by the formal boundaries of painting as they relate to objects and architecture, I explored materials, space, color, and geometry to study the limits of their relationship. Throughout my master of visual arts program, I was inspired by Gianni Vattimo's theory of "weak thought" -pensiero debole- to allow myself to dismantle, shift, transgress, and corrupt boundaries adopted in my practice as painter, designer, and architect. For every new painting project, I would start with a new premise. In a process characterized by a continuous destabilizing shift, I changed creative approaches,...