INTRODUCTION Many readers will no doubt be tempted to exclaim on seeing my title: -Rousseau and no end - The outpour of books on Rousseau had indeed in the period immediately preceding the war become somewhat portentous. 1] This preoccupation with Rousseau is after all easy to explain. It is his somewhat formidable privilege to represent more fully than any other one person a great international movement. To attack Rousseau or to defend him is most often only a way of attacking or defending this movement. It is from this point of view at all events that the present work is conceived. I have...

CHAPTER I. ABEL DEATH AT WORK. At six o'clock in the evening of the first day of March, in the year of Grace, 1898, Abel Death, a man of middle age, with a face appropriate to his name--which should never be given to any living human being--was sitting at his desk, employed in the task of writing the last of a number of letters, in accordance with the instructions of his employer, Mr. Samuel Boyd, of No. 6, Catchpole Square, in the North district of London. The letters all referred to Money: to Money due for principal and interest, and to warnings and threats of what would be done in case...

Art thou a slave, as I was? Or an orphan, as I was? Or wanderest thou still, as I long wandered, in the wilderness of doubt and sin? Then for thee is written this story of one that was made free in Christ, and adopted to be the child of God, and in the end brought safe out of the deep darkness of Satan into the Light of the Eternal Truth. THE FIRST BOOK. 1. OF MY CHILDHOOD. In the last year of the Emperor Tiberius I and my twin-brother Chrestus were found lying in one cradle, exposed with a great number of other babes upon the steps of the temple of Asclepius, in Pergamus, a city of Bithynia....

INTRODUCTION AND ANALYSIS. The genuineness of the Laws is sufficiently proved (1) by more than twenty citations of them in the writings of Aristotle, who was residing at Athens during the last twenty years of the life of Plato, and who, having left it after his death (B.C. 347), returned thither twelve years later (B.C. 335); (2) by the allusion of Isocrates (Oratio ad Philippum missa, p.84: To men tais paneguresin enochlein kai pros apantas legein tous sunprechontas en autais pros oudena legein estin, all omoios oi toioutoi ton logon (sc. speeches in the assembly) akuroi tugchanousin ontes...

INTRODUCTION AND ANALYSIS. The Philebus appears to be one of the later writings of Plato, in which the style has begun to alter, and the dramatic and poetical element has become subordinate to the speculative and philosophical. In the development of abstract thought great advances have been made on the Protagoras or the Phaedrus, and even on the Republic. But there is a corresponding diminution of artistic skill, a want of character in the persons, a laboured march in the dialogue, and a degree of confusion and incompleteness in the general design. As in the speeches of Thucydides, the...

INTRODUCTION AND ANALYSIS. In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which throw light on the main subject. And in his later writings generally we further remark a decline of style, and of dramatic power; the characters excite little or no interest, and the digressions are...

INTRODUCTION AND ANALYSIS. The dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases (compare Introd. to the Philebus). There are no descriptions of time, place or persons, in the Sophist and Statesman, but we are plunged at once into philosophical discussions; the poetical charm has disappeared, and those who have no taste for abstruse metaphysics will greatly prefer the earlier dialogues to the later ones. Plato is conscious of the change, and in the Statesman expressly accuses himself of a tediousness in the two dialogues, which he...

INTRODUCTION AND ANALYSIS. Some dialogues of Plato are of so various a character that their relation to the other dialogues cannot be determined with any degree of certainty. The Theaetetus, like the Parmenides, has points of similarity both with his earlier and his later writings. The perfection of style, the humour, the dramatic interest, the complexity of structure, the fertility of illustration, the shifting of the points of view, are characteristic of his best period of authorship. The vain search, the negative conclusion, the figure of the midwives, the constant profession of ignorance...

INTRODUCTION AND ANALYSIS. The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more fragmentary and isolated than any other dialogue, and the design of the writer is not expressly stated. The date is uncertain; the relation to the other writings of Plato is also uncertain; the connexion...

INTRODUCTION. In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest. Yet in the most irregular of the dialogues there is also a certain natural growth or unity; the beginning is not forgotten at the end, and numerous allusions and references are interspersed, which form the...