The growth and development of German music are eminently noteworthy facts in the history of the fine arts. In little more than a century and a half it reached its present high and brilliant place, its progress being so consecutive and regular that the composers who illustrated its well-defined epochs might fairly have linked hands in one connected series.

The Great German Composers by George T. Ferris. This book is a reproduction of the original book published in 1895 and may have some imperfections such as marks or hand-written notes.

THE following biographical sketches were originally published in America by Mr. George T. Ferris, in two volumes, separately entitled The Great German Composers and The Great Italian and French Composers. They have achieved the success they deserved: for while we have whole libraries of books upon the history and technicalities of music in general, upon musical theories and schools, and upon the exponents thereof in their artistic capacity, there has been a distinct dearth of treatises dealing in a brief and popular fashion with the lives of eminent composers themselves. Now, when music is...

The Netherlands share other glories than that of having nursed the most indomitable spirit of liberty known to mediteval Europe. The fine as well as the industrial arts found among this remarkable people, distinguished by Erasmus as possessed of the patientia laboris, an eager and passionate culture. The early contributions of the Low Countries to the growth of the pictorial art are well known to all. But to most it will be a revelation that the Belgian school of music was the great fructifying influence of the fifteenth century, to which Italy and Germany owe a debt not easily measured.

The ancestry of the violin, considering this as the type of stringed instruments played with a bow, goes back to the earliest antiquity; and innumerable passages might be quoted from the Oriental and classical writers illustrating the important part taken by the forefathers of the modern violin in feast, festival, and religious ceremonial, in the fiery delights of battle, and the more dulcet enjoyments of peace. But it was not till the fifteenth century, in Italy, that the art of making instruments of the viol class began to reach toward that high perfection which it speedily attained.