This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present, by working at the intersections between feminist film theory, gender studies and film practices by women in Latin America, the US, Portugal and Spain. Establishing resonances and disjunctions between films made by female filmmakers on both sides of the Atlantic, this critical study both fills a gap in and extends the field of Hispanic and Lusophone Film Studies. While the work of these filmmakers is considered within the Portuguese, Spanish, Latin American and Latino contexts from which...