Concerning the fundamental points of method in telling a story, I have little to add to the principles which I have already stated as necessary, in my opinion, in the book of which this is, in a way, the continuation. But in the two years which have passed since that book was written, I have had the happiness of working on stories and the telling of them, among teachers and students all over this country, and in that experience certain secondary points of method have come to seem more important, or at least more in need of emphasis, than they did before.

Not long ago, I chanced to open a magazine at a story of Italian life which dealt with a curious popular custom. It told of the love of the people for the performances of a strangely clad, periodically appearing old man who was a professional story-teller. This old man repeated whole cycles of myth and serials of popular history, holding his audience-chamber in whatever corner of the open court or square he happened upon, and always surrounded by an eager crowd of listeners. So great was the respect in which the story-teller was held, that any interruption was likely to be resented with...