I hate poetry. I usually find it self-indulgent, navel-gazing, cloying pap, an archaic art form that's long outstayed its relevance. In this brave new technological world where writing has evolved and anointed screenplay as endgame, poetry has been reduced to little more than a freakish sixth toe, as useful as an appendix. So why am I writing the introduction to a poetry book? Because Joel Landmine, that's why. Since first meeting Joel, I've been mesmerized by his work. A fixture on the San Francisco literary scene for years, he's etched out a name for himself by being exactly what I wish all...